I have an article in Smithsonian Magazine, February issue (out now, or out soon), featuring a former Guatemalan gang member who is now a successful artist and teacher in Vienna.
The magazine section takes a well-known photographer's iconic portrait and runs a "where are they now" story.
This article features Carlos Perez, a former 18th Street Gang member in Guatemala who not only turned his life around with the force of nothing but his own will, but made a remarkable success of it, by even the most discriminating standards.
We met in Perez' studio in Vienna, just before he graduated from the Vienna Academy of Fine Arts. The photog,
Donna DeCesare (who chronicled his life in the gang, and has stayed in touch with him) arrived from New York to attend his graduation ceremony, and she joined us.
Interviewing him was a delight. He is eloquent and articulate, reflective and intelligent. The interview itself has stayed with me, and will for some time to come, I think. It was an experience also to watch Carlos and Donna together. It's hard to define the friendship that binds them. It's both experiential (both have seen significant violence) and professional (both tell stories with images). Unspoken. There seems to be a deep respect that runs both ways.
When I interview people for features or long-form narratives, I always record and take notes. Yea, both. I prefer to record with an ipod (a 20 dollar mic attachment and you're set to go for hours and hours. And then download directly into itunes).
But no ipod this time, so I got creative and put my mac on imovie--which picked up video, of course, but also the all-important sound.
Here is a screenshot of my imovie-recorded interview with artist Carlos Perez and photog Donna DeCesare in Perez' university studio.