Ouali SMSed me and invited me to see a play in Algiers. I met him at the newspaper, and together we ambled over to the theater, where we met Hocine, a.k.a. the Weapon of Mass Consumption. Hocine had been sick earlier, having eaten a pizza old enough to have a birthday.
But he had recovered and was waiting for us outside the theater. He was anxious to get in and find a seat, but Ouali didn't seem to see the rush.
Ouali never seems to see the rush. He's an ambler. A laconic ambler. What can't be done today can surely be done tomorrow, whether it's putting out a daily newspaper or being on time for the curtain raising.
It was crowded, overcrowded. This night was by invitation only but it was also first come, first seated, and there were more invitees than seats. I was trying not to think of horror stories of packed ferries, packed nightclubs, packed theaters, FIRE!! Breathe, breathe.
We more or less dashed from one floor to the next, continuously crossing paths with a babushka and her daughter. It seemed to me that if a babushka can't find a place to sit down, then I surely couldn't get one. Nevermind. Watching Hocine chase after Ouali, telling him "I told you so!"--and then fake-biting his own hand in frustration-- and then watching Ouali fan him away without the slightest hint of irritation or shame, was becoming the drama I had come to see.
Ouali knows the right people and seconds before the play started, we had box seats. If I looked really hard, I could see the babushka standing in one of the crowded aisles.
I sat next to Ouali and he translated the gist of the play. I thought it would be boring, but it wasn't. I had to pay closer attention because of the language, but I noticed more that way. Took more in.
The play was centered around the terrorism that plagued Algeria in the '80s and '90s, and a case of someone who had been mistaken for dead, but was actually a John Doe amnesia victim in a hospital. Having emerged from his fog, he finds his family, who has already grieved him and moved on.
When the actor playing "John Doe's" son came on stage, the audience erupted in wild cheers and thunderous applause. Clearly this man had many, many adoring fans.
Ouali leaned in to explain: "He's a famous Algerian rapist," he whispered.
He moved back away. Paused.
Then leaned in toward me again: "I mean 'rapper.' He's a famous Algerian rapper."